The thing that makes all of us so into what we do for a living
is the actual "doing" of it. In deciding to take a full time
teaching position, I wanted to make sure that the
"doing" would be a large part of it.
Boy, is it ever!
Today I got to spend time with John Murray, Chair of
Recording Arts at Flashpoint Academy while he worked
on the sound design for our summer film project called
"The Collector". The film, directed by our Academic Dean
Paula Froehle, was shot in August and has now been edited
to a fine cut. It's in post, with John working on the sound design,
myself working on the visual effects, and our Chair of Game Production,
Simeon Peebler, working on a game that will accompany the film's release.
It was great sitting in the sound editing room with John today, listening
to the beginnings of the sound design for the film. It's amazing what
just a little well thought out and subtle ambient noises will do to
make a film shot on a sound stage feel like it was shot in a house
in the 1940's. John played a section of it that used to be Paula shouting
instructions to the actor, but now included the humming of the actor
as he worked on his collection of Butterflies, and the sounds of a dogs
barking in the distance, mixed in with crickets. It all worked, and suddenly
made the images on the screen start to feel genuine. Not that the images
are not good, they are actually fantastic, shot by a really talented DP
by the name of Peter Biagi, with a Sony CineAlta F900.
It's just that they lacked 50% of what makes something read as "real".
That's John's job. He fills in the missing 50%, and makes the images come
to life. I can't wait to see the whole thing filled out with the music of life!
I also got to spend time with Peter Hawley, our Associate Chair of Film.
He's a really great guy, with a great sense of humor, and we have an
easy time talking at length about what it is we love about this business.
When we were done talking, he had work to do, which was shooting more
interviews for the "Making Of" documentary that he is doing to document
the creation of, not only this film, but the building of a new way of teaching
students how to work in the media arts and sciences.
Heady stuff! But Peter takes it all in stride, makes people feel at ease, and gets to work.
He interviewed me for the doc, and made it quick, easy and not a big deal
(even though it is). I am sure the final doc will come together smoothly
thanks to how he makes it easy for everyone to just relax and talk about
their role in the making of the film.
It was after all this was over that I realized how great it is to not only
be able to "do" what I do for a living, and teach others how to do it,
but to be able to be around other people while they do what
they love to do.
Hey, it just doesn't get any better than that!
Monday, September 10, 2007
...while you work!
Posted by Perry Harovas at 8:01 PM
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5 comments:
Great post Perry...a true testament to how a story really is enhanced by the subconscious. When I tell people that I did sound for a film, the typical response is, "So you did the music?". While music certainly is a major part of the evocation of emotion through aural stimulus, it is still only just a part...
Yeah cool post. :)
Wish I could work on this project.
I hope you post up the visual effects that you do.
Perry,
Excellent post. That Peter really is a great guy (was I thinking out loud again?). Seriously, you really captured the feeling of what is happening. You didn't, however, talk about how damn hot it was in there as we shot. The best part of making the making of The Collector is the weight loss due to the saunas we have shot in.
OK on to another SITSP meeting.
PeterH
LoL, Funny
I cant wait to see the film!
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